Soo-Min Shim

Soo-Min Shim is an arts writer based in Sydney with a particular focus on contemporary Asian art. She is completing her Bachelor of Art History and Theory (Honours) at the University of Sydney.

Xhe

Daniel Kok

& Miho Shimizu

By Soo-Min Shim — 16 November, 2018

Walking into the last two hours of Daniel Kok and Miho Shimizu’s five-hour performance of xhe, I am overwhelmed by the kaleidoscopic playground of polychrome fabrics, foam block shapes, iridescent blankets, and printed cardboard cutouts. There are chairs arranged around the perimeters, but mostly these are empty. Instead, groups of people are gathered around a…

The Burrangong Affray

Jason Phu & John

Young Zerunge

By Soo-Min Shim — 8 August, 2018

Author’s note:  CW—racism, assault, rape   This month, I walked into the University of Sydney and was greeted by angry black scrawls of graffiti on the bus stops: ‘No More G**ks’. I immediately recoiled from a caricature of an Asian face with slanted eyes. A ‘Stop the Asian Invasion’ tag was found on three different…

Lethal Love

Haegue Yang

By Soo-Min Shim — 30 May, 2018

In one of the opening scenes of Billy Wilder’s archetypal film, Double Indemnity (1944), the protagonist Walter Neff walks around an unassuming living room typical of the late 1930s. He strolls nonchalantly past an armchair and two everyday lamps, but an ominous feeling still pervades the scene. A long shot frames Walter, causing the shadows…

THE FRUIT WAS SWEETER THEN. THE FISH WERE MORE PLENTIFUL.

Jason Phu

By Soo-Min Shim — 23 March, 2018

‘I’m always aware that I was born here the moment I open my mouth’, writes Jason Phu in his latest installation The fruit was sweeter then. The fish were more plentiful. (2018). Showing at Alaska Projects and commissioned by ANTIDOTE, the installation is framed as the sister show to a larger exhibition entitled The Trace (on…