Lethal Love
Haegue Yang
By Soo-Min Shim — 30 May, 2018
In one of the opening scenes of Billy Wilder’s archetypal film, Double Indemnity (1944), the protagonist Walter Neff walks around an unassuming living room typical of the late 1930s. He strolls nonchalantly past an armchair and two everyday lamps, but an ominous feeling still pervades the scene. A long shot frames Walter, causing the shadows…