Poetry
Merging
28 February, 2020
Bridget Gilmartin is Running Dog’s poet in residence for February and March.
Each month, a poet produces new work, which is distributed via Running Dog’s monthly newsletter—Stray. If you haven’t already, sign up to our newsletter.
• • •
I slide off the edge
of the rock
into the river
mouth
my thoughts
loosen their grip
in the water
the edges
of my body
softening
like wet
cardboard
/
ro cksk inthi ghha ndflo werpoll enfing erwat
erski nwat ersk inwat erswe atwat ersalt wat
ersun raywat erre edsm udwa terpla sticai rpla
sticai rlau ghterpoll enwat ersk inro ck
/
my friend said
that was the period
when his self
had merged
with everything
surrounding it
I thought
that doesn’t sound
too bad
we were painting
the sky was orange
the smell of acrylic
orange on my hands
the orange sky
on my hands
mostly this is
how everything
interacts I think
we’ve just been taught
to individualise
and draw borders
this sponge in my hand
is not really
a sponge
just a soft shape
merging into another
shape merging into
another
/
pai ntha ndspo ngepai ntwo odgre enbris
tlewo odha ndna ilha irha ndgro unddi rtgra
sswo odgre enwo odgre enbris tlegre enbri
stlegre enbrist lesk ysu nsk yda rk
/
wattle bush dripping
yellow we are eating
peaches
and tearing down
the highway
a lot
can be gathered
about the colonial
project
by considering
the concept of
the fence
I think
I watch the
wild grass
grow between
the wire
a lot can be
learnt about
resistance
from this