By Mitchel Cumming — 31 January, 2020
Mitchel Cumming is Running Dog’s poet in residence for January. Each month, a poet produces new work, which is distributed via Running Dog’s monthly newsletter—Stray. If you haven’t already, sign up to our newsletter. • • • Apoptosis (with Charlie) ____ Looking for one another …
By Mitchel Cumming — 18 December, 2019
Mitchel Cumming is Running Dog’s poet in residence for December and January. Each month, a poet produces new work, which is distributed via Running Dog’s monthly newsletter—Stray. If you haven’t already, sign up to our newsletter. • • • brinking (to Wiggy) ____ yawn like little things…
By Shastra Deo — 29 November, 2019
Shastra Deo is Running Dog’s poet in residence for October and November. Each month, a poet produces new work, which is distributed via Running Dog’s monthly newsletter—Stray. If you haven’t already, sign up to our newsletter. • • •
By Shastra Deo — 29 October, 2019
Paper fortune tellers have gone by many different names: chatterboxes, cootie catchers, paku-paku. Invert the fortune teller and it becomes a salt cellar, the voids for fingers now fit for holding salt. Salt cellar: domestic, ready to serve the hungry, to preserve and purify. Salt cellar: evocative of the deposits used to encase America’s nuclear waste—its nuclear history.
By June Tang — 27 September, 2019
June Tang is Running Dog’s poet in residence for August and September. Each month, a poet produces new work, which is distributed via Running Dog’s monthly newsletter—Stray. If you haven’t already, sign up to our newsletter. When corners in the sculpture pose problems we find a new way of making that is round, and all one…
By June Tang — 30 August, 2019
A line needs a leader // Needs speech marks // So we know there are real voices // To ignore…
By Rory Green — 27 August, 2019
there is a house in the wet of my softly stirring mind…
By Rory Green — 27 August, 2019
how can a poem live forever // that slick spilled on the ice // the sacred and the deadly…
Running Dog acknowledges the Gadigal people of the Eora Nation, the traditional owners of the land that facilitates the creation of this project. We pay our respects to their Elders past and present, and their descendants.
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body
