By Claire Cao — 21 August, 2020
Content Warning: sexual assault, violence, sexist and racist language. This piece is the final piece in a five-part series of responses for BLEED—an online biennial festival from Arts House and Campbelltown Arts Centre. You can view the festival in its entirety here. The first thing Kim notices about the office is its clean windows….
By Jacqui Shelton — 7 August, 2020
This piece is the fourth in a five-part series of responses for BLEED—an online biennial festival from Arts House and Campbelltown Arts Centre. This article was written in response to Angela Goh and Su Yu Hsin’s ‘Paeonia Drive‘ (2020), which you can view here. Walking my dog in the city council-maintained garden, I notice the…
By Sheila Ngoc Pham — 24 July, 2020
This piece is the third in a five-part series of responses for BLEED—an online biennial festival from Arts House and Campbelltown Arts Centre. This article was written in response to James Nguyen and Victoria Pham’s ‘re:sounding’ (2020), which you can view here. Arrangements /əˈreɪn(d)ʒm(ə)nts/ 1. The actions, processes, or results of arranging or being arranged….
By Rory Green — 8 July, 2020
This piece is the second in a five-part series of responses for BLEED—an online biennial festival from Arts House and Campbelltown Arts Centre. This interactive poem was created in response to Assembly for the Future by Alex Kelly & David Pledger, which you can explore here. • • • Forecast assemblage: an incantation device…
By Anne-Marie Te Whiu — 3 July, 2020
This piece is the first in a five-part series of responses for BLEED—an online biennial festival from Arts House and Campbelltown Arts Centre. This poem was written in response to Hannah Brontë’s ‘mi$$-Eupnea’ (2020), which you can view here. Press esc to exit full screen ” shift to face ” delete to dive ” caps lock to grow ” return to open…