Tag: Carriageworks

Rinse

Amrita Hepi

By Jazz Money — 17 April, 2020

This piece is one of two articles commissioned in response to the 2020 Keir Choreographic Award, a national biennial award dedicated to innovative, experimental and cross-artform practices in contemporary dance. Both authors attended Claudia La Rocco’s writing workshop, where they were asked to consider how language lives in time and space—on the stage, the page,…

A Review in Five Parts:

Keir Choreographic Award

By Alexandra McCallum — 17 April, 2020

This piece is one of two articles commissioned in response to the 2020 Keir Choreographic Award, a national biennial award dedicated to innovative, experimental and cross-artform practices in contemporary dance. Both authors attended Claudia La Rocco’s writing workshop, where they were asked to consider how language lives in time and space—on the stage, the page,…

A Continuous Self-Vibrating Region Of Intensities

Gail Priest

& Thomas Burless

By Audrey Pfister & Eleanor Zurowski — 13 December, 2019

We started writing this piece a month ago on the Gadigal land of the Eora Nation, in a week where over seventy fires burned across (so called) New South Wales. We would like to extend our gratitude and acknowledgement to the insects, animals, plant life, waters, people and bodies of knowledge that have cared for…

Body of Knowledge

Samara Hersch

By Marcus Whale — 1 November, 2019

Partway through Body of Knowledge, Samara Hersch’s new performance for Liveworks, an attendee’s phone goes off. Except, it’s not exactly their phone, but one assigned to them—a smartphone. In fact, each of the dozen-or-so audience members has been assigned a device, and by the time it’s my turn to participate, almost everyone has a phone…

Becoming Spectacle, Pursuing Celebrity

On Nat Thomas’ ‘Postcards from the Edge’

By Eugene Yiu Nam Cheung — 17 May, 2019

This is the second instalment of Running Dog’s feature series responding to individual works in The National 2019: New Australian Art—on view at the Art Gallery of New South Wales, Carriageworks and the Museum of Contemporary Art, and curated by Isobel Parker Philip (AGNSW), Daniel Mudie Cunningham (Carriageworks), Clothilde Bullen and Anna Davis (MCA).   …

One Infinity

PLAYKING PRODUCTIONS, DANCENORTH,

JUN TIAN FANG & BEIJING DANCE THEATRE

By Amelia Zhou — 13 February, 2019

It’s easy to forget how to listen. To listen deeply, that is. I’m reminded of this at One Infinity, a collaborative performance by Playking Productions, Jun Tian Fang, Beijing Dance Theatre and Dancenorth. I’m reminded of attentiveness, or how to listen in order to feel—to be swept up inside the layers of a live moment….

Corponomy

Eisa Jocson

Liveworks 2017

By Naomi Riddle — 27 October, 2017

At the start of the premiere of her performance lecture Corponomy, Eisa Jocson stands with her back to the audience. She is facing a screen, onto which is projected a blank document and the familiar icons of the Mac desktop. Jocson is backlit so her body fills the screen, and her shadow, magnified and imposing,…